The Emperor Project

Six quartets · six churches · one season.

String ensemble performing in a dark church
Rehearsing Op. 76 in the series’ opening venue.

Overview

Haydn’s six Op. 76 quartets — including the “Emperor” and the “Sunrise” — form the backbone of everything written for our combination. The Emperor Project plays all six, in order, across six historic churches chosen for their acoustic rather than their size.

Each concert pairs one Haydn quartet with a Renaissance work that shares its key or its character, so the evening moves between 1797 and 1570 without apology.

What’s included

Six evening concerts with spoken introductions from the players, printed programme notes that trace each quartet’s architecture, and a pre-concert open rehearsal where the audience hears a movement built from its parts.

Series subscribers receive the working scores we play from, with our bowings and fingerings, and first refusal on the following season.

Violinist performing during a classical concert
Second violin, mid-phrase.
Violin resting on sheet music
The desk: one of six working scores.

Programme

No. 1

Op. 76 No. 1 in G major

With Palestrina’s Missa Papae Marcelli, Gloria.

No. 2

Op. 76 No. 2 in D minor, “Fifths”

With Victoria’s O vos omnes.

No. 3

Op. 76 No. 3 in C major, “Emperor”

With Allegri’s Miserere, arranged for quartet.

No. 4

Op. 76 No. 4 in B-flat major, “Sunrise”

With Palestrina’s Sicut cervus.

No. 5

Op. 76 No. 5 in D major

With Lassus’s Timor et tremor.

No. 6

Op. 76 No. 6 in E-flat major

With a newly commissioned companion piece.

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